Act II, Scene 2
Act II, Scene 2
SETTING:
The big top.
AT RISE:
FIRENELLI and TIM are in the big top. MR. BEANS, DAVID, ANGELA, SUE, TONI, and TERRI are also in the big top going about their business. MR. BEANS is watching TIM and FIRENELLI. FIRENELLI is teaching TIM a trick. THEY face one another and lock arms. FIRENELLI puts one leg back and the other forward so that TIM can step up on HIS knee.
FIRENELLI
Hup!
(TIM steps up on FIRENELLI'S knee and goes into a handstand on FIRENELLI'S shoulders. HE is very shaky.)
Keep your legs together! Together.
(TIM tries to compensate. HE falls.)
TIM
I'm sorry.
FIRENELLI
Why? If you never fall you never tried. Now, let's try again.
(THEY face each other again.)
Hup!
(TIM goes up. HE is a little steadier.)
Don't try to balance. Remember, you are the dummy. There. There. Now stretch. Arch your back. No. No. Look at me!
(TIM wavers. HE loses HIS balance and falls.)
Don't worry. That was much better. Point your toes. And remember, I will do the balancing. You are the dummy.
TIM
I'll try. It's hard.
FIRENELLI
It's not hard. It's so easy you think it's hard. Now relax.
(THEY face each other once again. LAURA enters. SHE is disheveled and fatigued. She stops short upon seeing TIM. SHE is not noticed by the OTHERS.)
Hup!
(TIM goes up.)
TIM
Hey!
(TIM is steady this time.)
FIRENELLI
Good! Good! Do you remember what I showed you about the dismount? Ready? Hup!
TIM
Hey!
(TIM flies up, does a half twist, and lands in a sitting position in FIRENELLI'S arms.)
FIRENELLI
Perfect!
TIM
I did it!
FIRENELLI
Of course you did it. You are a Firenelli.
(TIM sees LAURA.)
TIM
Mom!
(LAURA crosses to FIRENELLI, TIM, and MR. BEANS.)
LAURA
What do you think you're doing?
TIM
Did you see me? I did it! Did you see me Grandpa Beans?
MR. BEANS
It was incredible.
TIM
It's easy.
MR. BEANS
No.
TIM
It's so easy it looks hard. Grandpa Roberto could teach anybody anything. I bet he could even teach you. Did you see me Mom?
(To FIRENELLI.)
When can I go on the trapeze?
LAURA
No! Tim Smith. Look at me. What do you think you're doing?
TIM
Learning how to go on the trapeze.
LAURA
Who told you you could do that?
TIM
Nobody. I just am.
MR. BEANS
We tried to call you but there wasn't any answer.
LAURA
I wasn't there. I was driving.
MR. BEANS
Driving?
LAURA
How do you think I got here? Somebody kidnapped my son. I had to come get him.
MR. BEANS
Kidnapped? Nobody kidnapped Tim. We didn't know anything about it.
LAURA
I suppose he ran along behind the train and you never knew a thing until he walked into breakfast.
TERRI
He hid in my trunk.
LAURA
What?
TERRI
My trunk. He hid in it.
LAURA
A trunk? When did you find him?
TERRI
When we got here. I went to get my bath robe and there he was.
LAURA
He rode in a trunk all the way here? Tim, you could have suffocated!
TIM
I'm all right.
TERRI
It's an old trunk. It has a lot of holes.
LAURA
Three hundred miles in a trunk.
MR. BEANS
Two hundred fifty.
LAURA
What were you thinking of? What if nobody had come to get you out? You could have been trapped in it and nobody would have had any idea. How in the world did he ever get into a trunk without anybody seeing him? Tim, how did you get in the trunk?
TIM
I just snuck in. I saw this trunk and I got in it.
LAURA
You're lucky you're not still stuck in that thing. Didn't anybody see him? How can a ten year old boy walk in in the middle of a strike and stow away in a trunk?
(LAURA is on the verge of hysteria.)
MR. BEANS
You know how confused it gets.
LAURA (to TIM)
Do you know what you did? Do you know how dangerous it was?
TIM
I...
LAURA
We don't need to talk about it now. I'm not ready to talk about it. We'll talk later.
(TIM knows HE is in very big trouble.)
TERRI
It's not his fault. He didn't know any better.
LAURA
He knew better. What kind of crazy place is this?
FIRENELLI
It is where he belongs.
MR. BEANS (to FIRENELLI)
Shh!
LAURA
I put my son to bed at eight o:clock last night. At one o:clock I go in and he's gone.
MR. BEANS
We're sorry Laura.
LAURA
What are you sorry about? You didn't know anything. He was locked in a trunk. What if nobody had been there to get him out?
(MR. BEANS reaches to hold HER to comfort HER but SHE breaks away across the tent. LAURA is shaking from the strain. ANGELA catches up with HER to comfort HER.)
LAURA
I'm sorry. I'll be all right
ANGELA
It's all right Laura. It's all right. It's over now. Tim is safe. Do you want to go sit down?
LAURA
No.
(After a moment LAURA does sit. ANGELA sits beside her. ANGELA puts HER hands on LAURA'S. LAURA calms down. FIRENELLI tentatively approaches LAURA.)
FIRENELLI
Laura. It is time we should make peace.
(SHE turns to FIRENELLI.)
LAURA
Peace?
FIRENELLI
You are the wife of my son. Tim is his child. We are a family.
LAURA
In your family men die. What were you teaching him?
FIRENELLI
What I taught my son. What my son would have taught his son.
LAURA
You want to make Tim into another Bobby?
FIRENELLI
It would be a fine thing for Tim to be like Bobby.
LAURA
Bobby is dead!
FIRENELLI
He is a Firenelli.
LAURA
He is my son. I am the mama. With the papa dead my word is the law.
MR. BEANS
He's our grandson.
(MIKLOS enters from the opposite side of the big top and crosses to the OTHERS.)
MIKLOS
Laura! You are here. I tell George, don't worry, she is on here way here, but still he worries. George, don't worry, look, she is here.
(Silence from EVERYBODY.)
What is wrong? Laura has come here to stay with us, to say I love all of you, I have made a big mistake, the circus is my home. --- Yes?
(The silence says no. MIKLOS speaks to Laura)
You look horrible. I am sorry. I forget my manners. Of course you don't look horrible. But you don't look good. You are unhappy. You would look better if you were happy.
LAURA
We have to go.
MIKLOS
Go? Look at you. You are too tired to go.
LAURA
I'll get a motel room and sleep for a few hours.
MIKLOS
A motel room? Do you hate us so much? We are your family. (To Jaspar) Give me an idea. (To LAURA) Look at Tim how happy he is here.
LAURA
He was happy before.
MIKLOS
He didn't know any better. How could he be happy? If he would have known he would have been unhappy.
(To Jaspar, aside.)
Happy-unhappy, unhappy-happy. This is not a very good idea. I need a better one. --- What?! No, I won't do it. Are you sure? If Laura gets in her car and drives straight home it is all your fault.
(To LAURA.)
You are a selfish woman. When Bobby dies you think only of yourself.--- When we need each other the most you turn away from us. George, how do you feel when Laura left us? --- Come! Come! Why are you so shy?
MR. BEANS
I felt bad.
MIKLOS
George, you are eloquent. You see, you made your father feel bad.
MIKLOS
Roberto, how did you feel?
FIRENELLI
Like my heart was cut out of me.
MIKLOS
That is better. Angela? How did you feel?
ANGELA
I don't remember.
MIKLOS
Come, tell us.
ANGELA
I don't remember. I was only nine.
MIKLOS
You try to protect Laura's feelings. Tell us.
ANGELA
I felt like she died too. Bobby, and Laura, and little Tim. All dead at once!
(SHE sobs. LAURA crosses to comfort HER. LAURA is sobbing too.)
Why can't you leave her alone? Can't you see how she feels? You're not being fair.
MIKLOS
I am very fair. I am not nice. Do you remember Bobby?
ANGELA
Of course I remember Bobby.
MIKLOS
But you were only nine. (To Laura) Angela missed you very much. She cried every night. It is true. You were a sister to her. You see how much she loves you still.
LAURA
Stop it Miklos. What do you want me to say, that I'm a monster?
MIKLOS
You are no monster. Roberto is the monster.
LAURA
Do you want me to say that everything was all my fault? I'll say that if you want. When Bobby fell, that was my fault. When he missed the net, that was my fault. When he died, that was my fault. It was all my fault.
MIKLOS
When Bobby fell, we all hit the ground.
LAURA
What do you want?
MIKLOS
To get back up again.
(There is a long pause.)
LAURA
I got back up. I made a new life.
MIKLOS
I am happy for you. Go back to your happy life. Go back to your PTA, your job from nine to five, your crabgrass, your weeds, your house that is just a house and no home because you have locked your family out.
(Pause.)
We will miss you at the wedding.
(There is complete silence. The only one who knows anything about a wedding is MIKLOS.)
LAURA
Wedding?
TERRI & SUE
Wedding?
MIKLOS
Yes, David and Angela. Didn't you know?
ANGELA
What?
MIKLOS
Come, come. There is no need to keep it a secret.
FIRENELLI
What is he talking about?
MR. BEANS
A wedding.
FIRENELLI
I heard that. I have ears.
MR. BEANS
Why didn't you tell us?
FIRENELLI
Why didn't they tell me? What is he talking about Angela?
ANGELA
I don't know.
FIRENELLI
Angela, I am the papa!
MIKLOS
It is no use Angela. You will have to invite your father to the wedding.
FIRENELLI
Angela?!
(MIKLOS takes FIRENELLI aside.)
MIKLOS
Roberto, today, this hour, Laura is with us, but tomorrow, in another hour, she will be gone. What do we do? What will make her to stay? She will stay for Angela.
FIRENELLI
Angela? What are you talking about?
MIKLOS
Look at how your daughter defends her. See how they stand together. She will stay for Angela's wedding.
FIRENELLI
What good will it be for her to stay for a wedding? After the wedding she will still be gone.
MIKLOS
We will worry about after the wedding after the wedding.
FIRENELLI
Angela is not getting married. It is one of your tricks.
MIKLOS
It is not a trick. Angela must be married.
(FIRENELLI breaks back to the rest of the group.)
FIRENELLI
No! Miklos is making crazy plans. He has made up the whole thing. There will be no wedding.
DAVID
Why not? Why shouldn't there be? Angela, why not?
MIKLOS
Good David. Good.
(DAVID crosses to ANGELA.)
FIRENELLI
No.
DAVID
Will you marry me Angela?
ANGELA
Papa?
FIRENELLI
I forbid it. She is too young!
ANGELA
I am not too young. I love him.
FIRENELLI
You want to leave your Papa?
ANGELA
No.
FIRENELLI
There will be no wedding.
(MIKLOS takes LAURA aside.)
MIKLOS
You see how it is? Roberto will never give his consent--- unless we can make him think the wedding might bring you back to the circus. Of course there can be a wedding and you don't have anything to worry about, because nothing could bring you back to us.
LAURA
You haven't changed one bit, have you? You're still a devil.
MIKLOS
I have been talking with Jaspar late into the night.
(ANGELA crosses to the opposite end of the tent. LAURA lays into FIRENELLI.)
LAURA
Why won't you let her live her own life?
FIRENELLI
She is my daughter!
LAURA
She is old enough to make her own decisions.
FIRENELLI
The Papa must have a say.
LAURA
The Papa can't live his daughter's life!
FIRENELLI (Appealing to Angela)
Angela!
LAURA (to Angela)
Do you want to get married?
ANGELA
Yes.
FIRENELLI
I forbid it!
LAURA
It's not his decision. It's yours.
ANGELA
Papa.
FIRENELLI
How can you marry this boy Angela? He is clumsy. He is a clown. He is the favorite of the man who has kept my grandson hidden from me for ten years.
MR. BEANS
I did not!
LAURA
It's your life Angela.
ANGELA
I want to get married Papa.
FIRENELLI
You can't. Not without the permission of the Papa.
LAURA
David?
DAVID
Will you marry me Angela?
ANGELA
Yes.
FIRENELLI
No.
LAURA
If you're the man Bobby thought you were they will be married with your blessing.
FIRENELLI
Look at him. He would trip over a breeze.
TIM
I like David. He's funny.
FIRENELLI (to MIKLOS)
What kind of children will she have with this funny clown?
MIKLOS
Wonderful children. They will make perfect babies together. So many you can't count.
FIRENELLI
He has two left feet.
MIKLOS
Ah, but if your two left feet are born of a Firenelli you could dance on the stars. When you are old like me you will have a whole troop of clowns and fliers hanging on your knee, soaking up every word from their famous grandpapa Roberto.
FIRENELLI
No. It is too fast. Too fast.
(FIRENELLI exits.)
ANGELA
Papa!
(SHE is about to start out after HIM but MIKLOS intercepts HER.)
MIKLOS
Now, when is the wedding? The day after tomorrow I think.
DAVID
The day after tomorrow?
MIKLOS
You would rather wait?
DAVID
No.
MIKLOS
Laura, you will stay for the wedding?
(LAURA will not speak to MIKLOS.)
TIM (to LAURA)
Can we?
(ANGELA'S look pleads for LAURA to stay.)
LAURA
We'll stay for Angela.
MIKLOS
(Indicating SUE, TONI, and TERRI.)
These three I think would be happy to help. They would make very good bridesmaids. What do you say Angela?
(ANGELA nods yes. SHE is dazed. DAVID takes HER and THEY exit.)
It is about time we had this wedding.
(He looks at LAURA.)
You will be here for Angela? She needs your help. She has never done this before.
(LAURA turns and looks very hard at MIKLOS. SHE then gathers up TIM and follows DAVID and ANGELA off.)
TERRI
Bridesmaids! I don't have anything to wear.
SUE
What about that green dress in the trunk?
TERRI
Not that one. It won't fit. I know it won't fit. It's the first time I've ever been a bridesmaid and it won't fit.
SUE
It can't fit if you don't try it on.
TONI
It fit me.
(TERRI looks TONI up and down.)
TERRI
It won't fit!
(SUE, TERRI, and TONI exit as they talk.)
MR. BEANS
What next? What are we going to do? What's your plan?
(MIKLOS is silent.)
Well, at least she'll be here for the wedding. What kind of flowers do you think we should get?
MIKLOS
Flowers?! What do I know about flowers? Do I look like a bee?
(BLACKOUT)
End of Scene 2
Saturday, June 21, 2008
Sawdust In My Shoes... Home, Title Page, Cast of Characters, Songs
Act I ---- Scene... One, Two, Three, Four, Five, Six, Seven, Eight, Nine
Act II --- Scene... One, Two, Three, Four, Five, Six
circus, Ringling Brothers, Cirque du Soleil, trapeze, lion, parade, clown, high wire, accident, death, mother, father, grandfather, marriage, love, chorus girl, musical, Broadway, show
© 1982 and 1985 by Gregg Butterfield and Michael J. Pickering.
All rights reserved. Permission is granted to make one printed copy for personal/non-commercial use only. Any reproduction of this material must include this copyright notice. Written permission from the authors is required for further reproduction, by any method. Written permission from the authors is required to perform this work or any portion thereof.