Act I, Scene 4
Act I, Scene 4
SETTING:
The same. After the matinee.
AT RISE:
The CHORUS GIRLS enter.
SUE
Did you see that cute guy in the front row?
TERRI
Mmmm.
TONI
He couldn't take his eyes off of me.
TERRI
He couldn't take his eyes off of me!
TONI
Why would anyone want to look at that, when they could look at this?
TERRI
Some men prefer a girl whose personality hasn't all run into her chest.
(ANGELA enters.)
Angela! Did you see the guy in the front row? Was he looking at me or Toni?
ANGELA
You mean the hunk on the aisle seat?
TERRI
That's him.
ANGELA
The one with his hand on his boyfriend's knee?
TERRI
It was not!
TONI
I knew he was too good to be true.
ANGELA
I've got a bar that needs to be retaped. I'll be back in a minute.
SUE
If somebody wants to know we'll tell him.
(ANGELA exits into the big top.)
TERRI
Maybe his hand slipped. He was looking at me. He might be waiting outside right now hoping I'll come out.
TONI
Oh who cares? I'd rather have 'em old and rich.
(DAVID enters.)
SUE
Look who's here. It's David. What a surprise. How are you David?
TERRI
Hi David.
TONI
Hi David.
SUE
She's in the big top.
DAVID
I...
TONI
You could at least let him ask first.
SUE
Watch out for Roberto.
(DAVID exits into the big top.)
TERRI
I don't know why Roberto doesn't like David. I think he's cute.
TONI
Counting his hands he has four left feet. Could you see a kid of David's on the trapeze? Ouch!
(SUE has moved over to the costume rack. SHE sees TIM.)
SUE
Look!
TERRI
What is it?
TONI
Where?
SUE
It's a boy.
TONI
He's hiding in my feathers. The little darling.
TERRI
He's so sweet.
(TERRI hugs HIM. TONI hugs HIM.)
SUE
Wait a minute! I found him.
(SUE hugs him even more completely, if possible.)
Well hello honey. What's the matter, don't you talk?
TIM
(Nods yes, no, maybe, I'm not sure.) I...
TERRI
I think he's the cutest thing.
TONI
Look at his hair. It's all rumpled.
(SHE rumples it some more.)
SUE
So we caught you hiding. These are ladies costumes you know.
TIM
I got lost.
TONI
Poor little baby. How'd you like to come back in ten years and get lost in my feathers?
TERRI
Do you think he wants to run away with the circus?
SUE
What's your name?
TIM
Tim.
TERRI
Tim what?
TIM
Tim Smith.
SUE
Did you see the show this morning Tim?
TIM
Uh huh. (yes) I saw the clowns and and the horses and the lions and the man on the trapeze!
TONI
Did you see me?
TERRI
Who could miss Mt. Rainier and the Matterhorn?
SUE
Shh. Where are your folks?
TIM
My mom's not here.
SUE
What about your father?
TIM
I don't have a dad.
TERRI
Ohh! The poor baby!
SUE
Does your mother know you're here?
TIM
(reluctantly) No.
SUE
Don't you think she'll be worried about you?
TIM
No.
SUE
Why don't you give us your phone number? We'll call up your mom for you so she can come and take you home.
TIM
I don't want to go home.
TERRI
I told you. He wants to run away with the circus. He's got sawdust in his shoes. Isn't it exciting?
SUE
We've got to let your mother know where you are. You know that, don't you?
(TIM keeps an obstinate silence.)
TONI
I don't think he knows that.
(FIRENELLI enters.)
FIRENELLI
Excuse me. I am looking for Angela. What is this?
TERRI
It's a boy.
FIRENELLI
I can see that it's a boy.
(TIM is awestruck.)
SUE
We found him in the costumes.
FIRENELLI
In the costumes? Let me guess. You hid a trap in your feathers to catch a man but you caught this instead. He is too young. You will have to throw him back.
TERRI
He was asleep.
FIRENELLI
He has a look about him. Give him to me for a year and I will teach him how to fly like a bird. Angela, you have seen her?
TERRI
She went outside to tape a bar.
FIRENELLI
Outside?
TERRI
Outside.
(FIRENELLI exits. Not into the big top.)
SUE
David owes you one.
TIM
Did he really mean it? Could I really learn how to fly?
SUE
Nobody gets near the trapeze without his mother's permission. Now tell us, how we can get in touch with her?
TIM
She wouldn't let me on the trapeze anyway.
SUE
What's your phone number?
(TIM is silent.)
TONI
Aren't kids wonderful?
TERRI
If I was him I wouldn't tell either.
SUE
What are we going to do with him? I don't want to call the police.
TONI
Don't look at me. Children give me hives.
TERRI
Can he stay with me? He can sleep with my cat.
TONI
Hurry up and make up your minds. My pillow is waiting. My appointment calendar distinctly has nap written in before tonight's show.
SUE
I guess it's the police.
TERRI
You can't call the police. I won't let you send him to jail.
SUE
He won't go to jail. If he won't tell us how to get a hold of his mom I don't see what else we can do.
(DAVID and ANGELA enter. ANGELA has a trapeze bar.)
TIM
Hi. You're the lady on the trapeze. You're beautiful.
ANGELA
Thank you.
SUE
Angela, David, that's Tim. He's a stray.
TERRI
We found him sleeping in the costumes.
TONI
Terri wants to know if she can keep him.
TERRI
He's cute.
TIM
Is that a trapeze bar?
ANGELA
Would you like to see it?
(ANGELA hands the bar to TIM.)
You have to put tape on it so you won't slip. It's very important to do it just right. Would you like to try?
(SHE hands HIM the tape.)
TIM
I never touched a trapeze before. Do you have to practice a lot?
ANGELA
All the time.
(TIM holds up the bar with both hands, like he is hanging from it. DAVID motions to ANGELA. THEY each take a side of the bar and pick TIM up off of the ground. THEY run forward toward MR. BEANS and the CHORUS GIRLS then backwards.)
TIM
Hey! Look at me!
(ANGELA and DAVID carry TIM forward again then start backwards. MIKLOS enters behind THEM. THEY can't see HIM and HE doesn't see THEM until it is too late. TIM crashes into MIKLOS, knocking HIM down.)
TIM
I'm sorry.
MIKLOS
You again?
ANGELA
Are you all right?
MIKLOS
Yes, of course I am. But watch out for this one, he is a boomerang.
TERRI
You should be more careful.
(The CHORUS GIRLS crowd around Miklos.)
MIKLOS
I should take out more insurance. Jaspar is playing his tricks again.
(THE GIRLS help MIKLOS up. In the confusion DAVID has gotten the tape all tangled and wrapped around HIS hand.)
Well Tim. An hour ago you don't have a ticket, now you are more at home here than the dancing bears. Your mother has not come yet?
SUE
He won't give us his phone number.
MIKLOS
He is stubborn? I should have known. (to Jaspar) Jaspar. He is stubborn. I know you are not surprised. I am not surprised too.
(FIRENELLI enters.)
SUE
(to DAVID and ANGELA) Watch out.
(DAVID and ANGELA separate quickly, but not before FIRENELLI has a glimpse of THEM together. DAVID ends up next to TIM.)
MIKLOS
Good morning Roberto.
FIRENELLI
Angela. Your friends told me you were outside.
MIKLOS
You have met Tim Roberto?
FIRENELLI
Yes. He is a good looking boy. He must watch the company that he keeps.
TIM
I...uh...I really liked you on the trapeze.
(TIM is still holding the trapeze bar.)
FIRENELLI
You hold the bar like it is your friend. That is good. Is someone coming for him?
SUE
We don't know who he belongs to. He won't tell us his phone number.
(MR. BEANS enters, without his clown make up.)
FIRENELLI
This town is your home?
TIM
Yes.
FIRENELLI
You think you will run away with the circus?
TIM
Could I learn the trapeze?
FIRENELLI
Young man, I am afraid you are out of luck. The day is gone when a boy can run away with the circus. Angela!
ANGELA
Yes Papa.
FIRENELLI
You are to stay away from this clown.
(Indicating DAVID.)
ANGELA
Papa!
FIRENELLI
You are to stay away from him. Come. I must use this bar young man.
(FIRENELLI takes the bar from Tim.)
Angela, it is time for us to go. Where is the tape?
(ANGELA looks for it. SHE cannot find it. It is wrapped around DAVID'S hand. HE holds out HIS hand with the roll of tape dangling from it. FIRENELLI contains HIS anger.)
We will find another roll.
(FIRENELLI exits. ANGELA follows. DAVID is crushed.)
SUE
Don't worry David.
DAVID
How could I be so stupid? Look at this?
(HE holds up HIS taped hand.)
TONI
Poor baby. Let me kiss it and make it all better.
(DAVID runs off.)
TERRI
Toni!
TONI
I can't help it. The kid's brought out my mothering instinct.
(SUE sees MR. BEANS and crosses to HIM, surprising HIM from behind with a big hug.)
MR. BEANS
Sue!
SUE
You are so irresistible.
MR. BEANS
(embarrassed) I am not!
SUE
Every time I see you I get this incredible urge to squeeze that big red nose of yours.
MR. BEANS
I'm not wearing my big red nose.
SUE
You're not?
MR. BEANS
No.
SUE
Are you sure?
MR. BEANS
Yes.
SUE
Then what is that thing on the front of your face?
(SHE squeezes HIS nose.)
MR. BEANS
Sue!
(TIM sees MR. BEANS and thinks HE recognizes HIM. TIM crosses to SUE and MR. BEANS.)
TIM
Hi! I remember you. You're the clown that doesn't talk.
TERRI
He wants to run away with the circus. He won't tell us his phone number.
MR. BEANS
Why don't you just look it up in the book?
SUE
What a great idea! We'll just let you handle it. See you after dinner.
(SUE, TONI, and TERRI start off.)
His name is Tim. Tim Smith.
(The girls exit.)
MR. BEANS
What? Wait! --- Smith? What am I going to do with him?
MIKLOS
Buy a roll of quarters. Maybe five or six rolls of quarters. There's a payphone on the corner.
(MIKLOS exits.)
MR. BEANS
Stop! Don't go!
(MR. BEANS looks at TIM.)
Smith?
(TIM nods yes.)
Don't you want to tell me your phone number?
(TIM shakes HIS head no.)
Why don't we get some dinner?
(BLACKOUT)
End of Scene 4
Saturday, June 21, 2008
Sawdust In My Shoes... Home, Title Page, Cast of Characters, Songs
Act I ---- Scene... One, Two, Three, Four, Five, Six, Seven, Eight, Nine
Act II --- Scene... One, Two, Three, Four, Five, Six
circus, Ringling Brothers, Cirque du Soleil, trapeze, lion, parade, clown, high wire, accident, death, mother, father, grandfather, marriage, love, chorus girl, musical, Broadway, show
© 1982 and 1985 by Gregg Butterfield and Michael J. Pickering.
All rights reserved. Permission is granted to make one printed copy for personal/non-commercial use only. Any reproduction of this material must include this copyright notice. Written permission from the authors is required for further reproduction, by any method. Written permission from the authors is required to perform this work or any portion thereof.